; charset=UTF-8" /> Overloud Gem Comp76 v2.0.4 (MacOSX) | CSKsite
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Aug 02

Overloud Gem Comp76 v2.0.4 (MacOSX)

Overloud Gem Comp76 2.0.4 (MacOSX) | 263 MB

Information:

The revolutionary simulation of the legendary Fet compressor limiter. Comp76 fet compressor limiter. The revolutionary simulation of the legendary Fet compressor limiter beyond the hardware.

COMP76 FET COMPRESSOR LIMITER
The revolutionary simulation of the legendary Fet compressor limiter beyond the hardware.

– NEW in v2! Three revisions in one plugin!
– Built-in mid-side processing
– Built-in parallel compression
– NEW in v2! Low frequency sensitivity control
– NEW in v2! Harmonics control
– NEW in v2! Oversample control, including ultra-oversampling mode
– Hyper-realistic simulation of the original device thanks to the 4th generation DSP technology
– Simulation of all transformers in the original unit
– Emulates the original all buttons in mode
– Low CPU usage (more than 1000 instances on a Macbook Pro Retina)
– Many presets that were developed in real mixing sessions
– Scribble Strips: Take notes anywhere on the plugin panel
– Measuring device calibration: Calibrate the VU measuring devices with 5 different sensitivities

Beyond the original hardware
Comp76 extends the functions of the original hardware: It combines the flexibility of the digital world with the sound character of analog processing.

MODEL SELECTION
Choose between three different versions: Rev. A (the older and warmer), Rev. D (the classic "No Noise" version) and Rev. F (modern, faster and crisper).

SIDE CHAIN ​​FILTER
You can customize a low-cut filter on the sidechain to reduce compressor sensitivity to low frequencies. The amount of harmonic generation can also be controlled.

PARALLEL COMPRESSION
Parallel compression is a powerful mixing technique that can improve the overall effect of the track while keeping the transients intact. This is accomplished by summing the compressor power to the original track

BUILT-IN MIDSIDE PROCESSING
You can compress the track’s mono and stereo elements separately using different compression settings. This gives you complete control over the dynamics: you can press the stereo aspect to tighten the room microphones and get a drum sound on your face.

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