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Aug 09

Sample Magic – Lo-Fi Pop (AIFF MIDI REX2 WAV)

Sample Magic – Lo-Fi Pop (AIFF MIDI REX2 WAV)

Sample Magic – Lo-Fi Pop (AIFF MIDI REX2 WAV) | 3.65 GB

Ambient melodics and lo-fi beats for modern Pop productions. Lush, futuristic and cinematic – this collection embodies the tape-saturated bliss of timeless synths and contemporary hits. Over 1.3GB of warm, evolving pads, cassette-warped leads, drum machined beats, cityscape atmospheres and bit crushed guitar licks for future lo-fi classics.

Drum Hits > 145 vintage kicks, sizzling hi-hats, tough toms and slamming snares with custom kits and sampler formats.
Drum Loops > Full-fat contemporary drum grooves, dirty hip-hop rhythms and tape-kissed retro loops. Served at 80 and 100bpm with all constituent stems.
Inspiration Kits > 20 full-track lo-fi pop music loops bursting with production potential with all constituent stems and MIDI, key and tempo labelled for ease of use. Super high quality track-starters to break apart or use as is.

Synth Loops > Groggy melodic tape keys, processed chorus arpeggios and detuned polyphonic sequences. Key/tempo labelled at 80 and 100 bpm and served with all possible MIDI.
Pads and Atmospheres > Deep lunar pads, evolving textural atmospheres and dense synth textures. Key/tempo labelled at 80 and 100 bpm and served with MIDI
Percussion Loops > Electronic percussion loops, shuffling machine-drum hats, swung retro shakers and contemporary real-life hats and cymbals. Served at 80 and 100 bpm.

Chord Shots > Lush, tape degraded and bit-crushed chords stabs from analogue synthesisers. Key-labelled and provided with MIDI. Supplied with a custom instrument for Ableton Live 9.5 Suite for instant lo-fi production.

Guitar Loops > Amped up electric licks, processed strums and melodic arpeggios processed through vintage guitar racks and pedals.
FX > 20 dense cymbal impacts, percussive synth drops and analogue white-noise risers and fallers.
Foley Loops > Input noise, transformed foley and old-school vinyl noise of added grit and lo-fi dirt.






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