Final Cut Pro X 10.3 + Apple Motion 5.3.0 + Apple Compressor 4.3 [Multilingual]

Final Cut Pro X 10.3 + Apple Motion 5.3.0 + Apple Compressor 4.3 [Multilingual] Released :29 Oct 2016

Final Cut Pro X 10.3 Multilangual

Completely redesigned from the ground up, Final Cut Pro adds extraordinary speed, quality, and flexibility to every part of the post-production workflow.

Revolutionary Video Editing
â¢ Assemble clips in the Magnetic Timeline without clip collisions or sync problems
â¢ Use Clip Connections to attach B-roll, sound effects, and music to the timeline
â¢ Reduce clutter by grouping clips into a Compound Clip.
â¢ Perfect your pacing right in the timeline with the Inline Precision Editor
â¢ Cycle through different shots, graphics, or effects at one place in the timeline with Auditions
â¢ Edit multi-camera projects with automatic sync and support for up to 64 camera angles

Powerful Media Organization
â¢ Organize your work within libraries for efficient media management and collaboration
â¢ Work natively with a broad range of formats including RED, AVCHD, H.264 from DSLRs, and more
â¢ Content Auto-Analysis captures camera metadata and analyzes shots in the background
â¢ Create and apply custom keywords on the fly as you select ranges in clips
â¢ Smart Collections let you dynamically organize content and find any shot in a few clicks

Incredible Performance
â¢ Final Cut Pro uses all the GPUs in your Mac for superior real-time playback performance and fast background rendering
â¢ 64-bit architecture uses all the RAM in your system for larger projects and richer effects
â¢ Background processing lets you keep working without interruption
â¢ External monitoring lets you route video and audio through HDMI or third-party Thunderbolt and PCIe devices

Compelling, Customizable Effects
â¢ Beautifully animated, easily customizable 2D and 3D titles
â¢ Preview effects to see how they look with your footage before applying them
â¢ Change the look of titles, transitions, and effects using intuitive controls
â¢ Control effects with precision using a keyframe editor that appears directly in the timeline
â¢ Use third-party FxPlug plug-ins with custom interfaces and dual-GPU support

Integrated Audio Editing
â¢ Expand and edit multichannel audio files directly in the timeline
â¢ Let Final Cut Pro repair significant audio problems such as hum, excessive noise, and more
â¢ Sync DSLR video with separate audio in a single step, with instant audio waveform matching

Intuitive Color Grading
â¢ Improve the look of any clip with the single-click Balance Color feature
â¢ Apply the Match Color feature to match the looks of two clips shot under different conditions
â¢ Manipulate color, saturation, and exposure with the Color Board
â¢ Fine tune color for a specific color range or area of the screen using keying and masks

One-Step, Optimized Output
â¢ Deliver projects for playback on Apple devices and websites such as Vimeo, YouTube, and Facebook
â¢ Use themed menus to quickly author and burn a DVD or Blu-ray disc
â¢ Export customized audio stems and multiple versions of a finished video using Roles metadata
â¢ Import and export XML to support third-party workflows

What’s New in Version 10.3
New Interface
â¢ Redesigned dark interface puts the focus on your video
â¢ Configure window layouts into custom workspaces for tasks like organizing and color grading
â¢ Fill a second display with the timeline or hide the timeline completely
â¢ Expand the Inspector to full-screen height

Magnetic Timeline 2
â¢ Color coding of clips based on roles â such as dialogue, music, and effects â lets you understand your project at a glance
â¢ Create, assign, and customize the colors of roles to identify different types of audio and video clips
â¢ Enhanced Timeline Index lets you drag and drop audio roles to rearrange the layout of your timeline
â¢ Focus button in the Timeline Index lets you highlight specific audio roles and collapse all others
â¢ Show Audio Lanes button in the Timeline Index displays a structured timeline layout with dedicated spaces for each audio role
â¢ Add audio effects and keyframe audio volume changes to an entire role within a Compound Clip
â¢ iXML support enables automatic creation and assignment of roles based on metadata from an audio field recorder
â¢ Create and manage a unique set of roles for each Final Cut Pro library

Wide Color
â¢ Images are now viewable in wide color on supported Mac computers and external displays
â¢ Import, edit, and deliver video in standard Rec. 601 and Rec. 709 color spaces, or in wide Rec. 2020 color space
â¢ Configure color spaces for both libraries and projects
â¢ Log footage from ARRI, Blackmagic Design, Canon, Panasonic, and Sony cameras, as well as RED RAW footage, can be manipulated in real time while preserving wider color
â¢ Range check overlay in the viewer highlights areas out of the standard RGB range
â¢ Video scopes display wide color in real time

Support for the Touch Bar on MacBook Pro
â¢ Tap to execute common functions like volume control, fade in and out, and media import
â¢ Easily access advanced editing commands, including Override Clip Connections, Trim to Start, and Trim to End
â¢ View your entire project at a glance and navigate with touch in the timeline overview

More Video Formats
â¢ MXF-wrapped Apple ProRes provides a flexible new format for broadcast delivery
â¢ MXF master file export uses audio roles to configure industry-standard channel layouts
â¢ Support for Canon Log2/Cinema Gamut and Panasonic V-Log
â¢ Support for Sony XAVC-L at 4K for the Sony PXW-FS7 and PXW-X70 cameras
â¢ Playback support for Panasonic AVC-Intra LT
â¢ Export AVC-Intra files

Additional Features
â¢ Flow transition seamlessly merges jump cuts to remove pauses or mistakes in on-camera interviews
â¢ Remove Effects and Remove Attributes commands let you delete specific effects from clips
â¢ SMB 3 network support enables library access on network-attached storage devices
â¢ Timecode effect displays clip name and source clip timecode in the Viewer and in exported files
â¢ Copy and paste timecode to speed up numerical entry from text documents
â¢ Consolidate custom Motion projects into individual Final Cut Pro libraries
â¢ Option for continuous playback of clips in the Browser
â¢ Search custom metadata in the Browser and Timeline
â¢ Search Timeline Index for Auditions, Compound clips, Multicam clips, and Synchronized clips
â¢ Ability to roll trim on adjacent anchored clips
â¢ Larger Media and Content browsers provide more space for viewing photo libraries, sound effects, music, titles, and generators
â¢ Skim and select ranges of audio files in the Music and Sound Effects browser
â¢ Use a Thunderbolt cable for direct A/V output to an external display, without the need for a separate I/O device
â¢ XML 1.6 supports role-based audio components for Magnetic Timeline 2
â¢ Enhanced XML support lets you import projects and clips into existing events
â¢ Ability to drag and drop clips, projects, and events as XML with supported applications

Compatibility: OS X 10.11.4 or later, 64-bit processor

Apple Motion 5.3.0 Multilingual

Motion is a software application produced by Apple Inc. for their Mac OS X operating system. It is used to create and edit motion graphics, titling for video and film production, and 2D and 3D compositing for visual effects. The Motion interface has been redesigned specifically for Final Cut Pro editors, with a familiar look and feel that makes it easy to switch between the two applications. A new single-window layout puts all the tools you need at your fingertips, and redesigned icons make it easy to identify options at glance. The darker look of the new interface is designed to enhance color perception as you work with any combination of video, stills, and motion graphic elements. Many filters now include onscreen controls for direct, intuitive manipulation of effects. And keyframe editing is much more accessible thanks to a new view that displays the Keyframe editor below the timeline.

Beautiful results with a single click.
Creating chroma keys has never been easier. Just drag and drop the Keying filter for an instant chroma key that is accurate for most projects. If the blue- or green-screen background is unevenly lit, or if there are other problems in the original footage, use onscreen controls and a simple slider to adjust the key color and edge softness. For additional adjustments, instantly access advanced controls, including an intuitive color wheel.

Breakthrough Speed and Quality

â¢ 64-bit architecture. ColorSync consistency.
Designed to use every bit of the power of Mac OS X and multicore Mac computers, Motion operates at blazing speeds and maintains precise color accuracy at every step.

â¢ 64-bit architecture
With its new 64-bit architecture, Motion lets you create deeper, more interesting multilayered effects for use in Final Cut Pro.
â¢ ColorSync-managed color pipeline
Trust the color consistency across Motion, Final Cut Pro, Compressor, and QuickTime.
â¢ Shared Render Engine
Render with consistent performance and pristine quality across Motion, Final Cut Pro, and Compressor.
â¢ High-quality rendering
Using the Shared Render Engine, create blurs, scales, and lighting effects in floating-point, linear-light color space â the same quality found in high-end compositing software.
â¢ Resolution independence
Use still images and clips without any size limitation.
â¢ Cocoa foundation
See dynamic feedback in a highly responsive interface.
â¢ GPU utilization
Create more complex, higher-resolution effects that play in real time.
â¢ Grand Central Dispatch
Save time with faster processing for certain functions through the use of all CPU cores.

Apple Compressor 4.3 Multilingual

Compressor integrates tightly with Final Cut Pro to add power and flexibility to your video conversions. A simple interface lets you quickly customize output settings, enhance images, and package your film for sale on the iTunes Store. For even faster conversions, easily set up distributed encoding using other Mac computers.
Advanced Encoding for Final Cut Pro
â¢ Use Compressor to customize encoding settings for Final Cut Pro
â¢ Save your custom settings in Compressor and they automatically appear in Final Cut Pro
â¢ Set up batch processes to streamline the encoding of large numbers of files
â¢ Build custom Destinations to combine encoding with additional tasks such as moving or copying files
â¢ Create self-contained Droplets to encode on the desktop with drag-and-drop ease
â¢ Share settings with other editors, even if Compressor isn’t installed on their systems

iTunes Store Package Creation
â¢ Import and organize your movie, trailer, closed captions, and subtitles into an iTunes Store-compliant package for submission to an Apple-certified iTunes delivery partner
â¢ Audition video with any audio, caption, or subtitle to verify sync
â¢ Built-in error detection helps you identify issues with your iTunes Store Package and navigate directly to the source of the issue

Support for Industry Standards
â¢ Encode to a broad range of industry standard formats including MPEG-4, H.264, MXF and ProRes
â¢ Work with a choice of themed menus to encode and burn a DVD or Blu-ray disc
â¢ Generate files for HTTP live streaming in a single step
â¢ Import Targa, DPX, TIFF, PSD, PNG or OpenEXR image sequences and encode them to any setting
â¢ Tap into advanced encoding features for adding closed captioning, metadata, and more

Pristine Format Conversions
â¢ Convert any file between formats â such as NTSC to PAL, SD to HD or progressive to interlaced video
â¢ Import and manipulate wide color video, then deliver in standard Rec. 601 and Rec. 709 color spaces or in wide Rec. 2020 color space
â¢ Use CABAC entropy multipass H.264 encoding for superior results with hardware-accelerated export on supported systems
â¢ Clean up and customize your content using image filters, a timecode overlay, and watermarks
â¢ Speed up video, slow it down, or adjust the frame rate to make the duration match a runtime

Distributed Encoding
â¢ Save time by distributing encoding work among multiple workstations
â¢ Install Compressor on any Mac to activate it as a node for distributed encoding
â¢ Speed up encoding in Final Cut Pro by choosing a group of shared computers for exporting

Compatibility: OS X 10.10.4 or later, 64-bit processor