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Sep 24

BlackMagic Design DaVinci Resolve Studio 12.5.1 with easyDCP MacOSX


BlackMagic Design DaVinci Resolve Studio 12.5.1 with easyDCP MacOSX | 205.02 MB

DaVinci Resolve is the world’s most advanced color correction system. You get natural 32 bit float YRGB processing, power windows, tracking, primaries and secondary corrections, Log, HSL and curve grading, RGB mixing, 3D object tracker, 3D stereoscopic eye matching, XML and AAF round tripping for NLE systems, optical quality resizing, noise reduction, audio sync and much more!

Professional non-linear editing with Hollywoods most powerful color corrector!
DaVinci Resolve 12 combines professional non-linear video editing with the world’s most advanced color corrector so now you can edit, color correct, finish and deliver all from one system! DaVinci Resolve is completely scalable and resolution independent so it can be used on set, in a small studio or integrated into the largest Hollywood production pipeline! From creative editing and multi camera television production to high end finishing and color correction, only DaVinci Resolve features the creative tools, compatibility, speed and legendary image quality you need to manage your entire workflow, which is why it is the number one solution used on Hollywood feature films.

The world’s most advanced color grading tools.
DaVinci color correctors have been the standard in post production since 1984. There are thousands of colorists worldwide who understand the performance, quality and workflow of DaVinci. DaVinci Resolve features unlimited grading with the creative tools colorists need and incredible multi GPU real time performance. That’s why DaVinci is the name behind more feature films, commercials, television productions, documentaries and music videos than any other grading system!

Professional editing from rough cut to finished edit!
DaVinci Resolve 12 includes sophisticated professional editing tools designed to handle a wide range of projects from scripted prime time dramas to fast paced stylized commercials and even multi camera productions. Editing tools are context sensitive, which means that DaVinci Resolve automatically knows how you want to trim based on the position of the mouse so you don’t have to waste time switching tools! You also get customizable keyboard shortcuts so you can edit quickly and move between applications with ease. DaVinci Resolve 12 has the most advanced collaborative tools that let multiple people work together on the same timeline at the same time so you can finish faster and focus on your edit!

Scalable power and real time performance.
DaVinci Resolve is scalable and supports multiple GPUs all working together as found in the new MacPro, as well as the latest Windows and Linux computers. You get support for up to 8 GPUs so that you can build dedicated systems that are super fast and deliver blazing real time performance. You can even offload output and rendering tasks to other Resolve systems on your network using the remote rendering tools. That’s important when you are working on high pressure projects that you need to deliver fast! Whether you are working in your own post production suite or grading the next Hollywood blockbuster, workstations running DaVinci Resolve can be super charged to keep up with you and your clients!

Work faster with absolute control!
When you have a client looking over your shoulder you need to work fast. The DaVinci Resolve control surface lets you adjust multiple parameters simultaneously, making grading faster. The control surface features dedicated buttons, knobs and perfectly weighted trackballs that give you the subtle control you need for creating the most amazing looks! You get 32 soft knobs with automatic LCD labels so you’ll never have to page through multiple menus to find common adjustments. Save and recall grades to memory, load gallery stills and more at the push of a button while you keep grading at full speed!

Ensure complex jobs are well organized.
Saving and managing media is a critical part of every project! DaVinci Resolve features powerful media management tools specifically designed for editorial and color workflows. You can easily move, copy, consolidate, relink, and archive media, timelines or entire projects. DaVinci Resolve’s clone tool will back up your valuable camera files on location so you can copy camera files to multiple destinations with checksum validation for safekeeping while you’re still on set! DaVinci Resolve can also edit metadata, sync sound and prep footage for editing, color grading or visual effects. DaVinci Resolve helps you on local drives or over your network and, because it works with virtually every camera and video format, you don’t need to convert files to begin editing or grading!

Finish and deliver to virtually any format!
Whether you’re creating a master for TV release, a digital cinema package for theatrical distribution or finishing for delivery over the internet, DaVinci Resolve includes powerful delivery options for versioning, finishing and delivery at any resolution. You can export your media in a variety of formats with optional burn-ins, output EXR or DPX files for visual effects work and uncompressed 10 bit or ProRes files for editing in applications like Final Cut Pro X. Exporting can take advantage of remote rendering, using another Resolve on the network to render the job. DaVinci Resolve works from your camera originals so you always get the highest quality output. That means your finished master is a first generation graded copy of the original camera RAW files!

Unique YRGB 32 bit float processing.
DaVinci’s high quality image processing is so revolutionary it won an Emmy™ award for contributions to the television industry! All image processing is at the deepest 32 bit floating point and DaVinci Resolve uses a unique YRGB color space for grading. This allows you to adjust the luminance gain of your video without rebalancing the color of your whites, mids, or blacks. That means you won’t have to chase the correction you’re aiming for! 32 bit processing combined with YRGB color science gives you a dramatically wider color correction range, so you can generate looks that other systems simply cannot match!

End to End Color Management
DaVinci Resolve 12 simplifies the color management of multiple clips with different color spaces, allowing you to define individual source, timeline and output color spaces with incredible speed and accuracy. Now you have a complete end to end color managed pipeline that can use DaVinci Resolve’s color managed timelines and ACES 1.0 (Academy Color Encoding Specification) color for high end digital cinema workflows.

The world’s most compatible post production solution!
Exchange projects with your favorite NLE software, send clips to VFX and motion graphics, and export projects directly to ProTools for professional mixing and sound design! DaVinci Resolve can share sequences and round trip projects with Final Cut Pro X, Media Composer, Premiere Pro and more! That means you can edit your project on any system, then using XML, AAF or EDL’s, you can link back to your full quality camera RAW files and finish in greater bit depth with DaVinci Resolve. You can also use AAF export to send a project to ProTools with discreet audio clips and a single layer video mix down for audio finishing. DaVinci Resolve lets you work with and integrates with dozens of other software tools so you can focus on getting your job done.

What’s New in Version 12.5.1:
Edit Improvements
• Improved 2-up and 4-up, multicam and playback performance when using QuickTime ProRes on Windows
• Added menu items to allow selection of clips based on Flag, Marker and Clip colors on the edit timeline
• Added ability to import and export duration markers using EDL
• Added the ability for clips to snap to their own markers when adjusting In and Out points
• Improved consistency of edit functions when Timeline is in full screen mode
• Added support for box wipe mode for offline reference wipe
• Added ability to extract AAF import log information as timeline markers

Color Improvements
• Improved performance for Spatial Noise reduction in Better mode
• Improved listing of attached and timeline mattes in the node graph with support for alphabetical listing
• Added ability to apply grades from a reference wipe using the viewer context menu
• Added ability to align keyframe timelines of color grades using playhead position and wiped still frame
• Next node and previous node operations now loop around the node graph
• The ‘displayed’ node graph now automatically updates when the current still is changed
• Swapping nodes now also swaps the node labels
• Rippling grades now also copies node labels, Power Window labels and node cache settings
• Shift Up + Next Still will now append grade from the current still on the advanced control panel (Studio version)
• Added support for left eye and right eye grades for the timeline node graph (Studio version)
• Added ability to convert a mono timeline into stereoscopic 3D (Studio version)
• Added ability to convert a mono clip into stereoscopic 3D (Studio version)
• Added support for sequence and node render caching for stereoscopic clips and timelines (Studio version)
• Added compensation for stereoscopic slip when exporting timecodes in ALE (Studio version)
• Added support copying DolbyVision grades using stills and middle click (Studio version)
• Improved 3D and Qualifier panel layout in dual screen mode
• Improved behavior to stay on the same frame when joining two clips

Resolve FX Improvements
• Added ResolveFX Generate Color (GPU accelerated)
• Added ResolveFX Tilt-shift Blur
• Added support for anamorphism in ResolveFX Lens Blur (Studio version)
• GPU acceleration support for ResolveFX Lens Flare (Studio version)
• Ability to adjust Shadows/Midtones/Highlights in ResolveFX Film Grain in all compositing modes (Studio version)
• GPU acceleration support for ResolveFX Emboss, Waviness, Vortex, Ripples, Dent, Mirror
• Improved ResolveFX Scanlines and added various composite modes
• Ability to view the ResolveFX Scanline layer without the background
• Improved border behavior for ResolveFX Gaussian Blur, Directional Blur, Mosaic Blur, Radial Blur and Zoom Blur
• Added support for horizontal/vertical ratio in ResolveFX Glow
• Added support for pan and tilt on ResolveFX Prism Blur
• Improved performance for ResolveFX Light Rays
• Improved performance for ResolveFX JPEG Damage

Media Improvements
• Added new Import Media options to File menu and Media Pool context menu
• Added support for stereoscopic 3D clips in Media Management (Studio version)
• Added support for display drive names in Media Storage on Windows
• Addressed issues with open file location from Media Pool on Linux
• Added Source Name tag support for filename without extension
• Added support for automatically setting pixel aspect ratio for anamorphic ARRIRAW MXF clips

Codec & Format Improvements
• Added support for ProRes decode on Windows
• Improved QuickTime decode and encode performance on Windows
• Support for UHD H.264 renders on Windows
• Improved QuickTime decode and encode performance on Linux
• Added support for HEVC (H.265) decode on Linux
• Added support for alpha channel in DNxHR 444
• Added support for the Sony X-OCN format
• Added support for various AAC encode parameters on macOS
• Added support for QuickTime AAC audio encoding on Windows
• Added support for encoding QuickTime Photo JPEG files
• Added support for decoding AVCHD files from the Sony NEX-FS700 camera
• Added support for V-Gamut in RCM for improved Panasonic camera image handling
• Added ARRI LogC to Linear and Linear to ARRI LogC LUTs in VFX I/O
• Addressed decoding of last frame in some Panasonic AVCHD clips
• Improved handling of AVCHD .MTS clips
• Added support for RED SDK v6.2.1

General Improvements
• Alpha-numerical listing of codecs and format in the Deliver and Media Management pulldowns
• When running DaVinci Resolve in window mode, the macOS dock is now visible
• Improved latency for remote grading (Studio version)
• Improved handling of dissolves and overlapping clips in DolbyVision metadata export (Studio version)
• Improved behavior when creating render jobs on locations without write permissions
• General performance and stability improvements

Minimum system requirements for Mac:
– Mac OS X 10.10.5 Yosemite
– 16 GB of system memory is recommended and 8 GB is the minimum supported
– Blackmagic Design Desktop Video version 10.4.1 or later
– CUDA Driver version 7.5.25
– NVIDIA Driver version – As required by your GPU
– RED Rocket-X Driver and Firmware or later
– RED Rocket Driver and Firmware or later


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