Ableton Live 10.1.9 Final K’ed with Live Plugins/Contents Pack (MacOSX)

Live is about making music; for composition, songwriting, recording, production, remixing and live performance. Live’s nonlinear, intuitive flow, alongside powerful real-time editing and flexible performance options, make it a unique studio tool and a favorite with live performers. If you’d rather be "making music" than just "using music software," Ableton Live is for you. Live 8, the latest version, includes a wealth of new techniques and improvements with a new groove engine, revamped warping, live looping, new effects, crossfades in the Arrangement View and a reworked MIDI editor.

But Live also features the revolutionary Session View: a unique sketchpad for improvising, playing and performing with musical ideas, without the constraints of the timeline. Freely and independently start and stop any number of audio or MIDI loops – everything stays in sync. Almost everything in Live works in real-time – add, reorder or remove devices, play with Lives flexible track routing and more – all without interrupting your creative flow.

The instruments and sounds you need to make music.
Live comes with a collection of instruments, sounds, kits and loops for creating any kind of music.

Effects, processing and tweaking.
For getting your sound right (or wrong in just the way you like it) Live has a full range of effects from corrective to creative.

Work with instruments and effects the way you want to.
Live provides easy and flexible ways for combining and integrating all kinds of devices.

Tools that understand audio, instead of just playing it.
Live can convert harmony, melody and beats from recordings to MIDI.

Software you can play.
Live is even more powerful when its hands-on. And it works with instruments and controllers of all kinds.

Push.
An instrument for song creation that fits in your backpack with your laptop.

Whatever you want it to be.
Get a wealth of new devices, and the ability to make your own, with Max for Live – now included in Suite.

Live is fast, fluid and flexible software for music creation and performance. It comes with effects, instruments, sounds and all kinds of creative features-everything you need to make any kind of music. Create in a traditional linear arrangement, or improvise without the constraints of a timeline in Live’s Session View. Move freely between musical elements and play with ideas, without stopping the music and without breaking your flow.

What’s New in Ableton Live Suite 10:

Create with new devices
Meet Wavetable, Echo, Drum Buss and Pedal: new devices that mean colorful new sounds are possible with Live’s instruments and effects.

Wavetable
Immediately playable, infinitely capable, Wavetable is a new synthesizer built by Ableton. Shape, stretch and morph sounds using wavetables derived from analog synths, and a range of other instruments and sounds. Start sculpting sounds right away-even without a deep knowledge of synthesis-or explore its rich palette and potential through an intuitive interface.

Echo
Echo brings together the sound of classic analog and digital hardware delays in a single device-your new go-to delay. Drive and shape sounds with its analog-modeled filters, turn up the noise and wobble for vintage imperfections, or add modulation and reverb to create diffuse soundscapes, wailing feedback and more.

Drum Buss
Drum Buss is a one-stop workstation for drums, capable of adding subtle character or bending and breaking drums to your will. Add warmth and distortion with drive and crunch, take control of dynamics with compression and transient shaping, dial in and tune boom and control bass decay with the dedicated low end section.

Pedal
With separate circuit-level models of overdrive, distortion and fuzz guitar pedals, Pedal brings the character of analog stomp boxes to Live. The effect goes all the way from subtle to reckless-it e

Improvements and feature changes:
Introduced Link, a technology which keeps devices in sync when connected to the same network. A ‘Link’ section has been added to the Link/MIDI preferences tab.
Link and The Bridge prevent each other from starting once switched on. Moreover, Link and The Bridge both switch off External sync when activated.
Link, The Bridge and External Sync are not available when Live runs as a ReWire slave.
The Python framework has been updated to support Python 2.7.
Added control surface support for the Arturia KeyLab series, Arturia BeatStep and Arturia MiniLab.
Added Control Surface support for the Alesis VX series.
When tweaking Warp mode specific parameters in Simpler (i.e. grain size, flux), these are now updated in real time. Previously, these would be only updated on a per-note basis.
Improved the time required to slice an audio sample to a Drum Rack.
Slicing visualization improvements and other minor cosmetic tweaks for Simpler and Sampler.
While samples are offline or still decoding, Slice to Drum Rack and Slice to new MIDI Track from Simpler are disabled.
Add a preference to re-enable random clip colors.
Updated fonts and added a number of special characters.
The Live 8 Legacy Mode in Operator has been renamed to something more meaningful.
Performance improvements in waveform rendering.

Bug fixes:
Recovering Live sets after a crash would not succeed under certain circumstances.
Live could hang at launch while displaying the splash screen on Windows 10.
Live would crash on OS X 10.12 when a user closed the second window while it was shown in fullscreen mode.

Tracks created by dragging and dropping a Rack or Rack preset will now correctly be assigned with a new track color.

Live might become unresponsive on OS X if no Max application could be found. Furthermore, Live would not find Max 7 on its own on Windows.

Live could hang when loading sets referencing Max devices, if these were saved with Max 6.1.7 or earlier.
Audio files would not retain the color saved in the respective .asd file when dropped into a track.

Replaced one redundant color in the Live color sequence.
Simpler would cause an unusual high memory usage if the user had set ‘Complex’ as the default mode for Warping.
Live would crash when converting a sliced Simpler to a Drum Rack from within an Instrument Rack.

Live would crash when cropping samples in Sampler.
A crash could take place when playing back sliced samples in Simpler, if ‘Snap’ had previously been activated in Classic or One-Shot mode.
A crash could occur when dragging the Start Marker to the very end of a file in Simpler and playing back a warped, looped sample with ‘Snap’ active.

Live could crash when playing back warped samples in Simpler. The crash would occur when a new note began playing at the exact same time that another playing note was ending, if that also choked or retriggered the previous note.

When slicing an audio Clip to a Sampler based slicing preset, all slices would be assigned to the same root note.
Simpler’s playhead could jump unexpectedly when starting the transport while playing back warped samples.

Dragging a selection of an arrangement clip into Simpler now sets the start and end flags according to the selection.
Snap is automatically disabled when slicing a Simpler to a Drum Rack. This ensures that the sound of playback does not change after slicing a Simpler to a Drum Rack.

Changing Simpler’s playback mode via the keyboard would not be undoable.
When dragging the Simpler start flag towards the end of the sample, this would overlap with the End flag, which then could not be clicked nor dragged anymore. The same behavior occurred the other way around (the End flag might have covered the Start flag).

The text in the Simpler ‘Warp As’ button would not be displayed properly when running Live in a language other than English.

Fixes a crash which might happen in conjunction with Complex / Pro modes.
Improved the CPU performance of Complex and Pro when playing back short loops. Note that while Clip loops are limited to at least 1/16 note in length, simpler loops can be as small as 50 samples.

Reduced audible artifacts and improved timing for samples warped with Complex and Complex Pro.
The OSR filter might produce unwanted artefacts when used with high frequency and resonance settings.

The modulation destinations for the new legacy filters in Simpler and Operator are now hidden and updated correctly when upgrading a device.
The spread pitch control is now disabled if Simpler is using Re-Pitch as warping mode.

Changes for Push:
It is now possible to toggle the Global Record button via Push by holding Shift and pressing the Session Record button.
‘Mute’, ‘Solo’ and ‘Stop Clip’ can be locked by holding the respective button.

This enables muting tracks, bypassing devices, soloing tracks and stopping Clips with one single button press. To select tracks and devices even while locked mute/solo/stop mode is active, it is now necessary to hold the select button.

Improved encoder responsiveness when selecting a parameter through a list on Push 2.

Improved the Push initialization process when the unit is power cycled while Live is open.

Push 2 Firmware updated to v1.0 build 47. This fixes a problem where the hardware would sometimes fail to initialize on Windows. This Firmware update is also intended to mitigate unexpected high velocity values which might be triggered when Push pads are played softly. This is an intermediate step towards a proper fix. Please note that, depending on your pad sensitivity settings, it might now be more difficult to reach maximum velocity.

It is now possible to load and hotswap samples in audio tracks on Push 2. This is achieved by first entering Clip mode.

Sample names are now displayed in the browser while hotswapping.
When Simpler is in 64 pad slicing mode, the touch strip can work as Pitch Bend or Modulation Wheel.

Scales mode can now act as a momentary toggle if held. Furthermore, it is now possible to browse Scales also with the up/down and left/right arrows.
When an empty drum pad is selected, ‘Add Device’ will work like the ‘Browse’ button, thus it will not prompt the user to swap the entire Drum Rack anymore but rather will enable to load a device or sample inside the pad.

After converting an audio Clip to a Simpler from Push 2, device mode will be selected automatically.

Added a 12/24 dB button (filter slope) to Auto Filter, Operator and Sampler for Push 2.

When adding a new device to a previously selected pad, the added device will now always be selected.

Live would crash when converting a Clip to Simpler, if the device default for Dropping Samples on Device View consisted of a Simpler instance inside an Instrument Rack.

When loading a sample from the browser, Simpler’s "Mode" would be displayed as "Classic" on Push 2, regardless of the default for "Dropping Samples on Device View".

When converting between Simpler and Sampler, Push 2 would lose device selection.

Under certain conditions, the waveform in Simpler flickered on display when zooming in on longer samples.

When zoomed out on a long sample, it is now possible to see an indication of the existing slices on the Push 2 display.

Under certain circumstances the Push pads would not reflect the selected slice when using a sliced Simpler.

Mute and Solo would not work on Push 2 if the currently selected track was outside the Session Ring.

When moving a channel towards the left while in ‘Mix’ mode, its channel meter would stop working on Push2.

When renaming a macro inside a Rack, the changes would not be immediately reflected on Push 1 and Push 2’s display.
Introduced a short delay before showing the tempo/swing message when touching the encoders, to reduce the amount of notifications.
Push would keep showing the loop selector in sequencer mode after deleting a Clip.

The display could get stuck in User mode on Push 2. Additionally, it is now possible to momentarily enter User mode by holding the respective button.
The color mapping for Push 2’s step sequencers has been improved, to better reflect different velocity ranges.

The Arrow Keys would stop working after switching between note and session mode while using the Push 2 browser.
Selecting a scene in Live would cause Clip selection from Push not to work anymore.

When hotswapping an instrument, browser selection could disappear when scrolling up/down with the Push 2 arrows.
No auto preview was available for the currently selected item when navigating to a list using an encoder.

Under certain circumstances pressing ‘Add Track’ and loading a new device would swap the instrument residing in the currently selected track instead.
After using ‘Collect All and Save’, Simpler instances would fail to display a waveform due to the changed file path.
Improved waveform rendering when switching through tracks and selecting Drum Pads.

When holding the mute/solo button, muted/soloed tracks would display their original color on the display: these now correctly display the muted/soloed state.

Previously, Push 2 would only show the left channel for stereo waveforms. As of now, the sum of both channels is shown.
Fixed a few visual inconsistencies for Push 2, where the On/Off icons might be missing for some devices and the Sawtooth waveform orientation was be inverted with respect to the one shown in Live’s device choosers.
When trying to change the Start/End parameter on an empty Simpler, the parameter would stop updating its state on the Push 1 display even after adding a sample.

On Push 1, plugin parameter names would not update correctly anymore if these change dynamically e.g. when loading a new preset. In addition, Push 2 now also updates such plugin parameter names dynamically.
Push 1 can now utilize custom device banks for Simpler.
Dynamic parameter banks are in place for Push 1 as well. Parameters that don’t have an effect due to some other parameter being disabled will now be hidden. In addition, Simpler, Sampler, Operator and Auto Filter now have the ‘Filter Slope’ parameter in their banks.

Added control for further Simpler parameters on Push 1: Warp mode, Warp On/Off, Voices, Gain.
The encoder resolution for Push 1 was significantly different as of Live 9.5 when compared to previous versions. This has now been rectified.
Fractions were not shown correctly for Simpler on the Push1 display.
Quantized parameters were not displayed correctly on Push1’s bar graph.

Activation Instructions:

1 – open the downloaded files
2 – install ableton (do not open)
3 – open applications folder on MAC
4 – right click option over ableton 10 icon to open "show package contents"
5 – copy the als V10.x.x Patch into this contents folder and run it. when asked for password use your own individual Mac password (same one used to open the machine on boot, or add / remove software).
6 – open ableton and choose no internet option when asked to authorise
7 – use playonmac to open the keygen.exe file in the R2R folder
8 – enter the hardware code from Ableton into the keygen and when prompted save the generated .AUZ file to desktop.
9 – move the .AUZ file to abelton contents folder (same folder the als V10.x.x Patch) folder is in.
10 – now drag and drop this .AUZ folder onto the authorisation page on ableton.

AUTHORISATION COMPLETE! ENJOY Smile

Note: If unrar Password needed, that is ‘S O L E R E N’ type it as it is.